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Analog Audio Recorders
Otari MTR-12 2 track (Re-built heads & power supply by JRF, new bearings by Athan Corp.), Marantz MPR 502 Cassette Deck.
Analog Audio Outboard
UREI 1178 (mods by Audio Upgrades), (2) UREI LA-4 comp/limiter (mods by Eddie Ciletti), Drawmer 1960 tube compressor (with Platinum upgrade), GML 8200 EQ, SPL Tube Vitalizer, SPL Transient Designer 9842, Aphex 612 Expander/Gate,
Lexicon 300, Lexicon PCM-60 reverb, Eventide H-3000SE w/sample option, Roland SRV-2000, Roland SDE-1000, Deltalab Effectron I, DigiTech RDS 3.6 delay, Eventide Instant Flanger, BBE 802, EXR EX2 exciter, Ampex 354 2 track, tube electronics,
Olympia Cremina Espresso Maker.
Digital Video Editors
Final Cut Pro 5, DVD Studio Pro 3, Graffitti 2, Commotion 3,
DVD Studio Pro, Motion.
Video Recorders
Sony BVU-800 U-Matic SP (3/4"), Sony UVW 1800 Beta SP, Sony DSR-20 DVCAM/MiniDV,Mitsubishi S-VHS. Canon GL-2 w/wide angle lens, glide cam & shoulder brace.
Video Monitors
Mitsubishi 46” (control room), Sony 14" NTSC calibrated monitor, Sony 21” (VO room).
Digital /Audio Video
Canopus ADVC-500 Component/Composite/Firewire IN/OUT with +4 Balanced audio IN/OUT.
T E C H N I C A L
GEARHEADS 4
Above: Cranesong Avocet Control Center, Radikal 2.2 Automation control, Dual Apple 22" Monitors.